Not the Singer – @all

The latest release by Not the Singer, titled “@all,” is a masterclass in contemporary UK Garage infused with a futuristic touch. London-born, Melbourne-based producer Sam Smith, the creative force behind the alias, once again demonstrates his uncanny ability to blend influences from both sides of the globe, creating a sound that feels simultaneously nostalgic and forward-thinking.

From the very first beat, “@all” captivates listeners with its infectious energy and meticulous production. The rhythmic foundation of the track is quintessential UKG—skippy, intricate drum patterns that demand movement. These beats are layered with a sense of dynamism, evolving subtly throughout the track to maintain engagement. Each hi-hat hit, each snare crack feels intentional, creating a groove that is both playful and precise.

Beneath this rhythmic tapestry lies a bassline that is nothing short of hypnotic. Drawing on the dubby sub-bass tradition of UK Garage, Not the Singer crafts a low-end presence that anchors the track while adding depth and weight. The bassline’s rolling quality intertwines seamlessly with the percussion, creating a dancefloor-ready vibe that’s impossible to resist. Yet, it’s not just about power—there’s a finesse to how the bassline evolves, offering moments of restraint that make its returns all the more impactful.

The synth work on “@all” deserves special mention. It’s here that Not the Singer’s Melbourne influences shine most brightly. Squelchy acid textures weave in and out of the mix, injecting an element of chaos that feels delightfully at odds with the otherwise tight-knit production. These acidic motifs add an edge to the track, a sense of unpredictability that keeps listeners on their toes. Meanwhile, atmospheric pads and subtle melodic flourishes provide a counterpoint, softening the harder edges and giving the track a dreamy, almost ethereal quality.

One of the standout aspects of “@all” is its ability to balance complexity with accessibility. The track is undeniably intricate, packed with micro-details that reveal themselves upon repeated listens. Yet, at its core, it retains a dancefloor sensibility that ensures its appeal to a wide audience. This duality is a testament to Not the Singer’s skill as a producer, reflecting his deep understanding of both the technical and emotional aspects of music-making.

Atmospherically, “@all” feels like a journey. The interplay between its elements creates a sense of movement, a narrative arc that carries the listener from the dimly lit clubs of London to the sun-drenched festivals of Melbourne. It’s a track that evokes both nostalgia for the golden era of UK Garage and excitement for its evolving future.

In conclusion, “@all” is a standout release that showcases Not the Singer’s talent and vision. It’s a track that feels at home on the dancefloor yet offers enough depth to reward attentive listening. With its masterful blend of skippy rhythms, hypnotic basslines, squelchy synths, and rich atmospheres, “@all” cements Not the Singer’s reputation as a producer who is pushing the boundaries of UK Garage and beyond. We are thrilled to feature this remarkable release on our webzine and can’t wait to hear what Not the Singer has in store next.

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